Leaning into a balance of broad and narrow nibs
This week is my first of two weeks off from work. My pen usage is going to be focused on personal projects. Journaling, outlining posts, drafting essays, and restarting my Hobonichi Weeks.
The darker side of purple
My journey towards an enjoyable and functional combination of daily drivers continues. The goal is a grey and a black ink. Grey ink for repeated tasks and the structure of my weekly. Black ink for important tasks and marking my progress on each task. The black should stand out from the grey.
A little smearing isn’t the end of the world, but still
Last week’s mix of black and grey inks carries over for task management. I’ve become a fan of having both black and grey inked up. A greyscale accent color is distraction-free, and still easily scannable. And that is a winning combination for me.
However, the 3 Oysters black and Montblanc pairing takes minutes to dry on Tomoe River paper. It’s not a good pairing for the paper I use for work. Consequently, my weekly spread has a constellation of smears and cross-page pollination.
Going greyscale for everyday writing
My most frequent writing tasks are updating my weekly task list, processing lesson plans, and note taking during meetings. Weeklies are made all in grey ink. But notes and process writing are bicolor: a grey ink for information, and an accent color for new tasks and commentary.