Smoothing out the crispy edges
Four of this week’s nibs rock their writing with crisp, edgy tippings. A 1.1 mm stub nib and an architect grind require proper writing angles for enjoyable ink flow. Both Montblanc’s EF nib and Dan Smith’s lovely CI grind also have narrow preferred writing angles.
Lubricated inks can take a bit of the edge off — so to speak. I’ve chosen a cadre of my wetter inks to bring my quartet of crispy nibs to heel. Balance is the way.
Fall-ing for five inked pens (puns are cool)
I enter the week with my lesson plans already done — with last week’s currently inked. A full 20% of my anticipated writing is taken care of prior to any tweaks to last week’s rotation. So I only need enough inked pens to carry me through meetings, marking, and journaling.
Five inked pens should serve my needs well. One grey ink as my typical core. And four options to keep me excitedly writing throughout the week.
The outside extremes: bold and fine nibs
Three bold nibs and three (extra) fines. A collaboration of opposites. A healthy balance of wide and thin lines provides a nib options for both small and large writing; for rapid and slow writing. Both of which are expected during my first full week of teaching.
This week also includes six round nibs. A generalist of currently inked rotations.
The nafety for safety: Three new no nonsense pens and inks for my currently inked
Two of last week’s pen-and-ink pairings did not work well for the kinds of writing I do during the school year. So, I’m playing it safe this week. With inks and pens I’ve come to trust to write unfailingly well.